I was immediately swept right into Nan's story! Loved her compassion, grit and cleverness. The twists and turns in the engaging action egged me on. Charlie, the 'monster' changed my perception of the Golem forever. Auxier's characters and the Victorian scenes depicting cruelty to children will remain with me for a long time. A hopeful read that relates to our troubled times.
- Jen K., Children's Buyer, City of Asylum Bookstore— From Shelf Talkers
About the Author
"Auxier wipes away the grime from a bleak chapter in history, where children were forced to work dangerous jobs that claimed many lives. He questions what makes one a monster and applauds helping others, activism, education, earthly marvels, and the possibility of magic. Nan’s fiery personality will attract readers like moths, and Auxier's unusual blend of mythology and history will keep them transfixed."
"This dazzling, warmhearted novel contemplates selflessness and saving, deep love and what makes a monster."
— Publishers Weekly
"Auxier (The Night Gardener, 2014, etc.) turns his imaginative whimsy and lyrical prose to a real historical horror; while never gratuitous, he does not shy away from the appalling conditions under which children labor, nor does he ignore the sacrifices and struggle to abolish the practice. The inclusion of two (possibly three) Jewish characters suggests the intertwining of anti-Semitism and class exploitation, while references to such authors as William Blake, Daniel Defoe, and Mary Shelley demonstrate how literature could fire imaginations and highlight oppression."
— Kirkus Reviews
"The novel doesn’t inch from the difficulties of life for poor and orphaned children in nineteenth-century London, but its dominant tone is one of warmth . . . This bittersweet coming-of-age tale will leave readers with the notion that even young people can make a difference when they raise their voices about issues they care about."
— The Bulletin of the Center for Children's Books
"Weaving together strands of Jewish folklore (Nan calls Charlie a “soot golem”), Blake’s Songs of Innocence and Songs of Experience, Shelley’s Frankenstein, the history of child-labor reform, and his own threads of magical realism, Auxier crafts a beautiful, hopeful story out of some ugly realities of nineteenth-century British life."
— Horn Book Magazine
"Jonathan Auxier weaves a magical spell that draws readers right into the stark, gritty streets of Victorian London . . . Readers will be entranced."
— School Library Connection
— School Library Journal